art naming 奇能 begins with semi autobiographical intimate performance works the personal made public political often times participatory and interprets them into other media such as installation or video to deal with and transform the live event documentation problem and always from the bodily repeating gestures like catching tofu thrown, picking things up with my foot or holding isolated still when moving on an empty rooftop in a framed video then concerned with the tension between the temporal and the lasting the intangible and the material time a major theme but more importantly how we deal with its slippage and the fact that this existence will end